Sure enough its a netlabel that brings me back to the Junto. I'm working a night job now so most of my music time is at night, where I can't really make any sound, so there is a lot of audio editing. Great for a remix.
I was very excited to see Jared's name on here. I've been familiar with his work for a long time. We even did a split a few years back.
For the sample of his piece I merely reversed it and paul stretched it. I loved the way that sounded so I based the rest of the piece around it.
For the Tenz/Zaradzur piece I kept it mostly intact. I just repeated it and changed the pitch more and more. This was an experiment with microtones.
I honestly was sure what to do with the Small Radio segment. I'm not really that excited about synth music in major keys. I fucked around with this one for a while. Eventually I ended up looping a part that was a fraction of second. It sounded cool. Thats the part that fades in and out. For the main beat, I took the same clip and lowered the pitch significantly

Listen to more @ subversiveintentions.wordpress.com

More on this 136th Disquiet Junto project — “Recombinate work from the netlabels Nowaki, Phantom Channel, and Rec72″ — at:

disquiet.com/2014/08/07/disquie…-thricederivative/

More on the Disquiet Junto at:

disquiet.com/junto

Join the Disquiet Junto at:

soundcloud.com/groups/disquiet-junto/

Disquiet Junto general discussion takes place at:

disquiet.com/forums

This track is made from elements extracted from the track “Nunquam Revolvo” from Jared C. Balogh’s album I Am The Ship // I Am The Shaman, available from the Nowaki netlabel; “And The Rain Embraced Our Closing Words” by from Chris Tenz and Cory Zaradzur’s album Language of Landscape, available from the Phantom Channel netlabel; and “HD Eve” from the Small Radio album Migre 3, available from the Rec72 netlabel.

More on those releases at

www.nowaki-music.org#album197

archive.org/details/LanguageOfL…owAutumnSnowphch014

rec72.net?p=3555