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I wanted to be as true to the genre and to the assignment as possible. I went with out a beat for that reason, it was stipulated that we add no other element and I wanted to use this as a challenge. I think it worked pretty well.
To be true to the genre set my beat to be at 125 bmp, and made great use of repetition, which is something I enjoy anyhow.
I set out by opening the track in audacity and set it to play in reverse. I chose only three sections and safed each section separatly as ogg vorbis files. I then loaded these up in to the Audiofile Processor in LMMS and added reverb to all the sections. The first part I set to play at a much lower speed and set that as the base beat. The next part I added flanger to. I slowly increased the volume and did the same to the last section till I reached 100% volume. Then I cut the second part and ended the piece abruptly.
I set out to create something that had enough of the original in to make it hint at Haydn without giving it all away.

subversiveintentions.wordpress.com

More on this 82nd Disquiet Junto project, in which a minimal techno track was created using elements of a Haydn string quartet, at:

disquiet.com/2013/07/25/disquiet0082-minimalhaydn/

The source Haydn audio is from:

goo.gl/7MMHRA

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from Disquiet Junto, released February 14, 2017

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Subversive Intentions Middlesex, Vermont

Insert randomn details here about how profound (read dark), ambient, experimental, avant whatever, or any other pretension that this music is. Just listen and find out.

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