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about

This is my first submission to the Junto since moving to Vermont. I am really excited to be apart of this one. I feel like its important to raise awareness about what's going on in Syria in general and with Bassel in particular. Its great to have this open source community to rally behind people like him.

For this project, I utilized some recordings I did in my new apartment. I was up very late one night and became fascinated by the sound of the refrigerator. I duplicated that track, and lowered the pitch significantly to add the deep rumble you hear in the beginning (headphones are recommended, its inaudible through computer speakers). The original track I did little to; theres a bit of reverb added.

I then used the audio output from creating the databent image associated with this track, paul stretched it, added phaser, lowered the pitched heavily, and gave it numerous compressor treatments.

I mixed it all together, trimmed it down to 3 minutes, and threw in some fade ins/outs

More at:
subversiveintentions.wordpress.com

More on this 108th Disquiet Junto project (“Create a soundscape for the ancient Syrian city of Palmyra.”) at:

disquiet.com/2014/01/23/disquiet0108-freebassel/

More on the Disquiet Junto at:

disquiet.com?p=16588

Join the Disquiet Junto at:

soundcloud.com/groups/disquiet-junto/

More on the campaign to free Bassel at

freebassel.org

For their collaboration on this project, special thanks to: Niki Korth, Barry Threw, and Jon Phillips.

credits

from Disquiet Junto, released February 14, 2017

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Subversive Intentions Middlesex, Vermont

Insert randomn details here about how profound (read dark), ambient, experimental, avant whatever, or any other pretension that this music is. Just listen and find out.

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