I began with a basic Paulstretch on the "Aftermath" track. This is essentially the canvas that I painted the other elements upon.
The Sean Archibald Track, I cut to all hell. I went at it randomly cutting patches and pasting them at other random points in the track. Some parts I just repeated for a bit. Then I divided this into several parts, separated by silence, and added a generous dose of echo to each part. I have to admit, this was my least favorite track to work with (sorry Sean), and even after editing it like this I still wasn't happy. I ended up reversing the track, and finally added even more echo to the whole.
I took only the last ten seconds of the "C2" track and set that to fade in at 17 seconds and repeat for the rest of the piece.
I took another patch of that and gave it a double dose of Paulstretch. God bless freeware audio effects!!
I came into this wanting to create something ambient, and hopefully a lot less recognizable from the originals. I think I succeeded for the most part.
More on this 77th Disquiet Junto project, in which the music from three different netlabels was combined to create one track, at:
disquiet.com/2013/06/20/disquie…77-netlabelsplice/
This track is composed from material extracted from three pre-existing tracks: Adrià Bofarull and Joan Saura’s Cráter, Sean Archibald’s Sean but not Heard, and Unicode’s Transmission. More on Adrià Bofarull and Joan Saura’s album at
www.tecnonucleo.org/index.php?page=…ease&release=38. More on Sean Archibald’s album at
www.split-notes.com/011/. More on Unicode’s Transmission at
archive.org/details/TON006.